.. was rather a pleasant day. We set off early to go to Lower Largo in Fife, to visit some friends who were holidaying there. We had a walk along the beach and then repaired to a restaurant at St.Monans that wins rosettes every year and has come 6th in the UK for fish restaurants.
I was a touch disappointed I have to say, but had the price been about half, I probably would not have been.
Lower Largo is the village where Alexander Selkitk, the model for Robinson Crusoe, was born, and there is a suitably Victorian statue of him in the main street. The local Minister, in full black regalia, walked towards us as we made for home, mocking our non-attendance at the Kirk.
Before going to the restaurant, I used our friend's loo, and was interested in the positioning of the loopaper.
You, dear reader, will remember the Little Endians and the Big Endians of Gulliver's Travels. They were the two political parties in that land. In many ways, that would seem to me to be an adequate differentiation, but loopaper is even more contentious. Do you mount the loopaper with the unrolling towards the wall, so you have to scramble at the wall and jerk it with potentially disatrous consequences, or over the front of the roll - when an easy pull and a gentle tear works wonders? You might gather I am in the latter Political party.
Anyway, after lunch, we hot-footed it towards Edinburgh, where there was a viewing of pictures to be sold there on Wednesday.
I am particularly fond of a dead Scottish artist called Donald Bain. He painted with J D Ferguson, one of the acknowledged masters of Scottish painting, and spent much time in France. Unfortunately, as with so many Scots of talent, the drink got him, and he died at a young age over 20 years ago. His best paintings and drawings are wonderful explosions of colour and joie de vivre.
There are three for sale in this particular auction. One is rather traditional, but has lots of problems with cracking paint. One is quite nice - saying which instantly condemns it.
The third is a fantastic painting of Montmartre in Paris, which from a distance is utterly compelling. Closer to, it lacks a bit of precision and form.
As a result, I am in two minds about bidding for it.
If it does well, my existing paintings are worth more. If it doesn't I should buy it.
BUT - and here's the but - that is not the right way to buy a painting. You should buy it with a piece of yourself, with love. You should have to go without to reinforce that passion, whether it be money or the regard of others. Our lives have become incredibly bland and risk-averted by the ubiquitous ElfnSafety. Passion and commitment have lip-service paid to them, but in reality, you are regarded as a bit of a loose cannon if you display either.
I'll get back to you on that.
PS Today's anagram - DEBIT CARD = BAD CREDIT